From Fashion to Stone: Artist Lauren S. Thompson Reflects on Her Evolving Creative Path.
In an ever-evolving journey that blends visual communication, high-performance materials, and sacred design, Lauren’s artistic practice is a reflection of both her personal path and deep-rooted connection to nature. With a background in fashion and a shift into high-performance concrete, her exploration of stone has become central to her creative philosophy. Guided by mindfulness and an unwavering commitment to authenticity, her work is inspired by the landscapes she inhabits, the geometric patterns of the earth, and a holistic approach to design. In this conversation, we delve into her beginnings, challenges, and the future of her practice, including her desire to connect with artisans in Lebanon and her upcoming exhibitions in Los Angeles and Japan.
Lauren S. Thompson , Tell us about the beginning of the brand..
I’ve always been captivated by visual communication, which led me to work in the fashion industry for several years. But unexpectedly, my path took a turn into high-performance concrete, where I developed a strong interest in materials and design. This phase inspired me to start creating my own pieces, which coincided with my introduction to a natural stone company. Over the past four years, stone has become my primary material, and it’s really shaped both my practice and my philosophy.
Alongside my artistic work, I also teach breathwork, which has become an essential part of my creative and personal journey. It’s my way of connecting deeply with myself and the world around me. Nature, the land, and sacred geometry are constant sources of inspiration, and I strive to weave these elements into my pieces, creating works that resonate with harmony and purpose.
What are the main challenges you have faced?
One of the biggest challenges I face is working with fabricators from different countries. Managing logistics across borders can be complicated and requires careful coordination.
As an artist, I also feel a constant pressure to produce. But I believe it’s crucial to create space for inspiration to flow naturally. In today’s fast-paced, instant-gratification culture, it can be tough to prioritize mindfulness and authenticity in the creative process. However, I’ve learned that those values are essential for my work, even if it goes against the expectations of constant output.
As a businesswoman with Lebanese origins, tell us about your professional experience in a different country..
Although I’m Lebanese by heritage, I grew up in the United States and now live in Los Angeles, where nature is an integral part of my creative process. My connection to Lebanon is deeply personal, rooted in family and the land. When I last visited, I spent quality time with family, and I felt a profound connection to the region’s natural beauty and its grounding energy, which resonates with me on both a personal and creative level.
This connection to nature has been a continuous source of inspiration, especially as I explore themes of identity and origin through my art.
What are the most important factors you take into account in your work?
The most important factor in my work is the intention behind it—pure, loving, and intentional energy. If my art brings peace or a sense of harmony into someone’s life or space, then I feel truly fulfilled. To ensure that my energy is aligned and centered, I make meditation and breathwork a priority in my daily routine. It’s essential for creating from a place of authenticity and positive frequency.
Are there any future projects for expansion in the Arab world?
One of my long-term goals is to collaborate with local artisans and fabricators in Lebanon. I see this as a natural next step—working with skilled craftspeople in a region so rich in history and tradition. It’s a way for me to connect with my roots and continue my artistic journey through meaningful, culturally-grounded collaborations.
What are your main future projects?
I’m excited to be part of a group show with Verso Gallery during Frieze Los Angeles, opening on February 19th. In addition, I’m preparing for an upcoming solo show in Japan next fall, which marks a new chapter in my exploration of stone and sculpture.
Lately, I’ve been focusing more on sculptural work, diving deeper into the tactile and emotional potential of stone. It’s a medium that constantly challenges me, and I’m eager to see how it continues to push my creative boundaries in the future.
